A chilled Filly

Sunday 24 February 2013

Lowering the head

This is an idea I have heard about a fair bit and on occasion have used, but the other evening it had dramatic results so I thought I would make it the subject of a post.
The basic idea is that if you can get a horse to softly lower its' head below the level of its' withers then you can help the horse to relax. I have heard that this position results in a hit of dopamine, the "feel good" hormone, being released into the brain of the horse.

Bonitao is a bit of a right brain horse, though he is generally pretty centred these days. But put in a situation he is not sure about and he very quickly goes very introverted and unconfident.
The exercise was to get him to go sideways over a plastic jump wing. He is unconfident about having something this big under his belly and either resists the pressure to move there, or pushes out over the jump wing to get away from it. We had been working on this for some time and slowly getting results. But Bonitao was stuck on getting the obstacle completely under his belly. We decided that maybe switching from the gentle driving game we had been using and use gentle porcupine pressure with the fingers instead might work.
The main sticking point seemed to be the front feet, so I applied gentle pressure to the shoulder and as soon as he shifted his weight over quit. Then I lowered his head and rubbed on his shoulder. He seemed to relax somewhat. Interesting. I continued with the process, asking for more and more with each try, but in small increments, each time lowering his head as a "reward". Soon he was standing with the jump wing under his belly.
It then appeared that the hind legs were stuck and he could not move them. Porcupine did not work, so I switched tactics. Being James Roberts students our horses are very good at having their feet placed down. We never ever drop a foot when picking out the feet for example. We make sure we can place the tip of the toe on the ground with a completely relaxed leg.
I now used this to make Bonitao think about his hind feet. I picked them up and gently moved them around until I felt him thinking to the leg, then placed them on the ground. With his attention now on the feet I asked again for the hind quarter porcupine, and he took a small step. And again for each good try he got a "reward" of a lowered head.
We did not get him all the way across the jump wing on that session, but subsequently have. For me it really reinforced the idea of this low head position being a place of relaxation and reward and its' cheaper than treats !

Wednesday 20 February 2013

Aintree Horse and Soul Tour

Ritchie and I managed to get some last minute tickets to go to the Parelli Horse and Soul tour event in Aintree Equestrian Center at Aintree race course.
It also gave me a chance to see what Filly is missing out on as we parked next to the race course itself. The jumps did not look that big and impressive when I think of the controversy of the Grand National. That's before I learnt that the Grand National fences are not left up all year round as they are regularly burnt down by protesters.

The venue was small compared to previous events at the NEC in Birmingham, but I liked the more intimate feel. There were around 2500 people there and the seating was no more than 4 or 5 deep. Being a smaller crowd they were likely to consist of more hardened NH supporters so the show could afford to show more advanced topics without making anyone feel left out.

The event started with Neil Pye, the announcer, dedicating the event to the memory of James Roberts. For this he got a standing ovation showing the strength of support James had in the UK. Brought a tear to the eye of many people, including me.

Then the demos started. I cannot possibly describe all the demos that were performed, so will concentrate of the highlights for me.

One of the first day demos was on horsenalities and how to use the techniques in a real life situation. This was lead by Linda and involved for folks and there horses, each representing a specific horsenality type. Once we had all had a chance to see the reactions of each horse to the crowd environment the horses were broadly classified as one of the four key types. For once this worked like a charm, all four really did display archetypal behaviour, this had not been the case at the last show in Birmingham !
Then each horse was played with in turn to get them calm and mentally collected and connected whilst in front of a large audience. Being a knowledgeable audience there was no clapping at inopportune times which was nice to see. What I did like is that if a horse crossed, temporarily, into a different horsenality this was pointed out and the correct strategy used for the horse that was there this second. Personally I get really fed up with folks who label there horses once and for all then don't play with the horse in front of them. It was great to see Linda trying to correct this trait.

There was a very cute spotlight (just a demo with little teaching element to it) where a Parelli professional and her six year old son played with their horse and pony. Very good for his first spotlight.

On both days there was a training session with Collen Kelly http://colleenkellyriderbiomechanics.com/ working with 4 top Parelli professionals highlighting horse and rider biomechanics. Collen is an Australian dressage specialist who is both a top judge and has been long listed for the Australian Olympic team. She has also trained with the head trainer of the Spanish Riding School. She is probably one of the most highly qualified horseman I have ever met. We were so impressed by her that we immediately booked onto a clinic she was giving near us yesterday. More about this in a later post.

Of Pats' demos the one that made the biggest impression was helping a rider with canter lead changes. Pat rode a beautiful young grey horse who belonged to one of the UK Parelli instructors. This was a horse under development and so we could not only watch Pat helping the rider, but also developing the grey.
He quickly assessed the problem areas for the lead changes and set to work on improving them. It basically involved the ridden sideways game. He wanted the rider to get her horse much much more responsive much more impulsion sideways. He helped by positioning the grey and using a stick to drive the horse sideways. The result was nice figure of 8 canter patterns with a flying lead change on each change of direction.
On occasion there were hints of Pats legendary toughness as an instructor showing through, but he has enough instructor savvy not to put too much pressure on the rider in front of a large audience.

But for me the absolute highlight was after hours on day 1 when most of the audience were leaving. Pat was on the grey again, just playing with it as he would back home with any young horse. Oblivious of the folks around him, just connected to the grey. He had a big green Parelli ball that he was getting the grey to put its' nose on and push around. But this was a dynamic play. Very little rest, just go go go. The ball gave Pat and the horse a focus for all the little sideways, backup and forwards aids Pat was using. And he played for a long time at this one game. I later heard that he had ridden the grey on the Friday before the event and played just the corner game for 4 hours ! That is a level of consistency in training that I have never reached.
I would give a lot to spend a week with Pat in the same way I used to with James. Just sitting and watching him work with no pre-planned lesson plan, just Pat doing his job (and hopefully the odd explanation !)

The Saturday evening we had dinner with many of our Parelli friends. In a way this social side is a big reason to go to an event like this. It gives a chance to chat to like minded people. Most yards are a bit of a dessert when it comes to being able to talk about NH. We're a little luckier with 3 of us being actively involved and several others interested.

My only criticism of the weekend is that there could have been fewer demos aimed at complete beginners. This was clearly a very knowledgeable audience and more higher level demos could have been incorporated. However if you watch close enough you can always get something out of every demo.

For example the last demo was a trailer loading demo, of which we have all seen many episodes before, both live and on DVD. This one had a twist however. Pat was coaching a young 13 yr old girl through the process, with what started as a horse she loved, but could barely control. For those of us who love to pass this knowledge on it was interesting to see how he taught this young girl. No isolation of the seven games, just getting the horse to move around naturally. Of course she used all seven games in the process without realising it, and maybe this is the best way to teach beginners the rudiments of NH.

Friday 8 February 2013

Lesson with Sean

A long day for Filly today which will have really tested her mentally. She came through it well.

Sean came to give us a lesson. We started with the usual prepare to ride, but as I had noted yesterday that she was not so willing to go in a circle on the right rein we put emphasis on getting her more flexed on the right circle prior to riding. This was done by putting her on a right circle online and then just asking with a stick and flag for her to sidepass just a step or two out on the circle, then back to the circle again. This sidepass just gets her to flex her body so that she is straight on the circle. Over time this should help her with all her right rein work, be it walk, trot, canter and even lead changes. As Pat says "the better they go backwards and sideways the better they will do everything else".

Then to get her forwards better we worked on snappy halt to walk, trot or canter transitions online. This involved asking her gently to get going, but if after a few seconds she had not headed out with energy I ran towards her hind end and slapped the ground hard three times with the string. All three times on the same spot, not chasing her. After just a few attempts she was flying into her transitions without the high energy running from me.

Once riding we worked a bit on forwards at walk, which after the preparation was pretty good. We then spent a fair amount of time on indirect rein. This is where we ask the hind leg to cross under the body, but the front legs to stay still.
The usual progression of eyes, belly button, legs, rein were followed. If she still was not crossing under after all this, then gentle rhythmic tapping with a stick just behind my boot until we got a nice step. This involved several tight circles to begin with until we got that soft step we were after. Sean even helped to start with by applying pressure with a stick behind my boot heel.

From there we moved onto direct rein (yielding the fore quarters). For this we want the front legs to cross over, but the hind legs to stay still. This was initially approached in a similar way but we moved onto a different pattern after a while.

The new pattern was to get her to back up really well next to the rail, then ask for a 180 degree turn along the rail turning towards the center of the school and stop. The backup was to keep her weight over the hind legs so that the front legs were light and could step over. The stop was to isolate the front legs so that the direct rein would be more strongly associated with them.

Sean helped this by using my 5m pole with a flag on the end. With this he could add a little driving pressure in front of her to really engage the backup. Once this was softened then the eyes, belly button, leg, rein sequence was followed to ask for the direct rein. Sean "helped" with the pole and flag to drive the front end around.

Filly really didn't like the flag ! It improved my seat and balance no end. She was not frightened of it, in fact she tried to attack it once. But it did do the trick. After around 10 or 15 minutes of this we got some really nice backups and direct reins. Could it have been done without the flag ? Probably, but it would have taken way longer and would actually been more stressful for her as I would have needed to be more vigorous with the legs and reins for a longer time.

As soon as we stopped she relaxed totally with lots of yawning as she came off adrenalin and much licking and chewing as you digested what had just happened. Being in a western saddle I felt pretty secure throughout, and english saddle might have been a different story.

I like to allow better horsemen than me to ride Filly when possible. Not so that they can teach her better than I can, but so that they can get a feel for her, how she has improved and what I need to concentrate on in the near future. Therefore I got Sean to ride her for ten minutes or so. The feedback was pretty positive. He said that she felt like a different horse compared to last time. The main points to work on were those that lesson had concentrated on anyway. Getting her softer to the direct and indirect rein. Also to work more on her sideways.

Another very good lesson, which was fun for me, provocative and, from her expression, fun for Filly.

Sunday 3 February 2013

Principles, PURPOSE, and time are the tools of teaching

No riding yesterday. I had got up at 0330 to fly to Madrid and back, didn't feel sharp enough to ride her.
However that is no excuse not to do something, so I thought I would revisit the previous days exercise crossing from the road onto the grass verge and back.

We started where there was a nice gentle ramp from the grass onto the road to get her confident to move from the grass/mud to the tarmac. Again the obvious "tool" to use was the squeeze game. This involved asking her to gently walk from the grass onto the road and then turn and face the grass again to contemplate the "scary" verge she had just crossed. Technically this is just to modify her natural flight distance until it is nothing. She found that standing on the road placed the grass at a more convenient height to eat, so this became a popular game.
She still tended to rush a bit so I combined the squeeze game with a little rope wriggling learned in the YoYo game to slow her down a bit as she crossed this verge. This worked, but I felt it was not the best solution to the problem and continued to figure the solution out.
As she got better we moved onto a more challenging bank. Only about six inches to a foot high, but with a very soft insecure feeling edge. Again I used the rope wriggling to modify her pace as she made the transition from road to verge, but could feel James gently shaking his head in a mildly disapproving way.
That image of James suddenly provided the answer. He always said "make them think to their feet". He blamed himself for having a colt slip on the road and fall on James leg breaking it in many places. "I should have been putting in little sideways steps and hind quarter yields to make him think to his feet on the slippery road. Then he would not have slipped" he said to me once.
I had to get Filly thinking to her feet before she crossed the verge. The obvious answer was not rope wriggling and YoYo, that made her think to her face, but sideways game. So on the next crossing I brought her up to the verge, then stopped her and asked for a few steps of sideways. Once this was soft and easy then I asked her to go forwards over the verge. She managed it with careful feet placement and no rushing. Her mind was already aware of her feet and it helped her find the answer to a graceful crossing of the verge.
James was very strong on ensuring that any game or pattern we performed with our horses was done with a purpose, not just because the program said "do it now for your next levels audition". Each pattern and game has to be learned in isolation, particularly for the human, but once mastered it should then be used for a purpose. What is more there should be pattern and game integration, as in this case, where patterns are mixed up in a constructive way to achieve a desired result.
In fact he ensured everything was done with a known purpose. He was very scathing of folks who played at Liberty with their horses just to look cool in front of friends for example. The purpose may be to learn Liberty to be able to use it in a spotlights demo in the future, that has a purpose. But just doing it randomly with no end goal, he reckoned, just looked ugly.
The same goes for the games. Once learned they should have a reason to be revisited, not just to "do Parelli".
I use a lot of porcupine game at the moment to get Filly more responsive off my leg when riding her, so that bridle-less riding can happen in the future. I want to do bridle-less so that I can use her as my saddle horse one day, playing with other online horses from off her back, opening gates, maybe even some roping for fun. Thus I have a strong reason for playing porcupine game with her and that sense of purpose translates into a different body language when I play the game. It gives it more intention on my part which Filly can read and is less likely to be resentful at being moved around.
Remember "Principles, PURPOSE, and time are the tools of teaching". The 8 principles are making more and more sense to me as time goes on. Hope you are listening up their James. I'm finally "getting it".

Friday 1 February 2013

Lots of riding

Over the last few days I have managed to ride a fair bit. The weather has been windy, but otherwise ok

On Tuesday we had a lesson with Beca Holloway. She lives and work at James Roberts yard and was one of the staff who helped to back Filly. It was good to get a check up on our progress. The main subject was "forwards" at walk. The first few sections to our training skeleton are "Rhythm", "Relaxation", "Forwards".
The first two Filly is pretty good at both in walk and trot, but I was struggling to get real forwards at walk. We define forwards as the hind hoof over tracking the front hoof by at least one hoof print. In other words the hind hoof should strike the ground at least the size of a hoof print in front of where the front hoof just left the ground. Additionally the mind of the horse should be forwards. They should not even be thinking backwards. This can be determined from where they are tending to scan with their eyes and ears.
We started with the normal prepare to ride, but Becca made me concentrate a little more on her expression, particularly when I ask her to draw towards me. Just for a few seconds she would give me an ears back "snotty" look. Becca had me drive her away from me the instant she did this, timing was crucial. In other words I was no longer to accept even a seconds bad expression.
Once riding we worked on several patterns to get more forwards. One was particularly effective. We trotted along the long side of the school until just before we got to the end, then did a rapid hind quarter yield towards the fence (ie swung her hind quarters away from the fence) then set off in the other direction. Once she got this pattern she became much more willing to give forwards.
We also tried using a string to tap her on the rump if she still did not offer forwards. This was not very effective.
Yesterday I repeated the exercises, but instead of slapping her with the string, slapped myself on the back. Amazingly this made all the difference. Suddenly she was forwards and really listening to my aids. It's the little differences that make the difference, not going to more and more extreme persuasion.
Today the idea was to go for a short walk down the road. She was good in the school, but as soon as we got onto the road she seemed to be very very lame on her front right leg. She kept "flicking" it up and forwards. It felt awful. So I hopped off and checked her over. Nothing obvious but decided not to ride anymore. Even with me off her back Ritchie and I could see and hear this odd flick. So as not to waste the expedition entirely I worked on getting her to cross a runnel of water that ran down the verge. Getting her to up and down from the grass verge, across the water on and off the road. To start this was very worrying for her, but as Parelli students we have the "squeeze" game to deal with just this sort of problem. Soon she was settled and happy.
We then noticed that the "lameness" had totally disappeared. She was not really physically lame at all, it was just her way of going when under mental stress